FROM GOTHIC TO FEMINIST FEMALE CHARACTERS IN WUTHERING HEIGHTS
The paper deals with the path which Emily Bronte’s heroines undergo in the quest for (self)- liberation. It provides an analysis of the way in which Bronte builds her female characters, using gothic as a starting point and then abandoning it for the reader to realize that the heroines are not to face familiar gothic denouement, where th...
By Ivana Aleksić, Snježana Milačak
WOMENʼS QUEST FOR THE INDIVIDUAL IDENTITY LOST IN THE COLLECTIVE ONE IN CONTEMPORARY AMERICAN POETRY
The political and economic turmoil of the modern life influenced everyone, particularly marginalized groups, such as people of the other race, ethnicity, social class, gender or sexual orientation. This concept of otherness refers to not belonging to the main stream and it is one of the most important motifs in contemporary literature. This p...
By Snježana Milačak, Ivana Aleksić
UNRELIABLE NARRATOR IN VLADIMIR NABOKOV’S NOVEL ADA OR WHY DOES IVAN VAN VIN TELL HIS STORY?
The purpose of this paper is to analyse the role of unreliable narrator in Vladmir Nabokov’s novel Ada, as well as motivation igniting the story, worlds and realities that Van creates in his multilayered storytelling. It tries to see beyond what Veen claims his motifs are and discover what great need gives birth to Veen’s timeles...
By Ivana Aleksić, Snježana Jež Milačak
DAYDREAMING IN THE FUNCTION OF SELF-DECEPTION IN ISHIGURO'S NOVEL THE REMAINS OF THE DAY
We live in a world of great expectations and therefore, it is inevitable that the modern man is faced with problems such as fear of change, re-examination and finding excuses. On the other hand, the best way to escape from the reality is to let oneself indulge in another dimension in which everything can be corrected and beautified, and that ...
By Snježana Jež Milačak, Ivana Aleksić