PROSTOR DOGAĐAJA U KOJI SMEŠTAMO INKLUZIVNI SPEKTAKL
Pošto živimo u vreme individualizma i egzistancijalizma, kapitalizma. Umetnost i bavljenje inkluzivnom umetnošću kao ishodište artikulacije te ,,naše’’ lične sopstvene praznine. Sopstvenu unutrašnju egzistencijalnu prazninu realizujemo u prostoru kao najveći društveni problem egzistencijan...
By Marija Jevtić
EVENT SPACE IN WHICH WE PLACE AN INCLUSIVE SPECTACLE
Art and engaging in inclusive art is the starting point for articulating "our" personal emptiness, because we live in a time of individualism, existentialism and capitalism. We see our own inner existential emptiness in space as the biggest social problem of all individual's existential emptiness. The individual in modern society has an exist...
By Marija Jevtić Dajić
TRANSFER OF THE IDENTITY AND MORPHOLOGICAL CHARACTERISTICS OF ART WORKS TO TACTILE 3D MODELS FOR THE BLIND AND VISUALLY IMPAIRED AND USE OF PRINTED ELECTRONICS
The reinterpretation of classical art into digital art was taken as the basic framework within which I moving with using two concepts: classic and digital. Both terms represent different epochs, in which the notion of classical art implies a much longer period of time, making it more difficult to use without opting for a shorter period of tim...
By Marija Jevtić Dajić